DATELINE NEW YORK: A tetrology for two violoncellos and soprano

by Helen Smindak


Virko Baley's newest composition, "Treny" (Laments) is filled with intense emotion - the torment of the spirit, the pain of loss and deprivation, at times anger and rage - and concludes with a portion of a wake. A tetralogy for two violoncellos and soprano, inspired by a new bilingual edition of "Treny" by the Polish Renaissance poet Jan Kochanowski, published in 1995, received its world premiere during the Music at the Institute (MATI) concert on November 20.

As the feature artists, world-renowned cellists Natalia Khoma and Suren Bagratuni and the highly esteemed New York City Opera diva Oksana Krovytska, gave expressive and physically intense performances. Ms. Khoma and Mr. Bagratuni inspired awe as they phrased somber solos and duets in the first three "treny" with precision and tremendous feeling. Although "Treny I" and "Treny II" were solos played by Ms. Khoma, Mr. Bagratuni's cello supplied an inconspicuous drone from time to time. The two joined forces in Treny II, a duet in two parts, with the two cellos binding into a single unit.

"Treny III," which Mr. Baley describes as "a monodic piece, a soliloquy, a stream of consciousness, elegies of lamentation," expressed the composer's grief over the death of composer Borys Liatoshynsky (who played an important role in Mr. Baley's aesthetic development) and the loss of three persons close to him - his mother, Lidia; Lydia Bondarenko (the wife of composer Valentin Silvestrov, a member of the Kyiv Avant-Garde of innovative musicians); and Bruce Adams, his oldest friend in Las Vegas. This portion ranged through variations in mood, from the sweetly sorrowful or fiery and ranging to tender and melancholy.

Ms. Krovytska joined the two cellists in "Treny IV," adding further excitement to the masterful work. She gave words to the laments as she sang Kochanowski's tragic and translucent poetry in Polish in a clear, powerfully projecting soprano. Conveying deep feeling and pathos, she sang excerpts like the "tren" that voiced the thought that "Man is not alone; his wounds run deep;/His joys are like a scar on top;/And once it's touched, that buried ache/Throbs wide awake."

As the compositions emotional epicenter and its final resolution - Mr. Baley's attempt to "wrestle down my grief" - "Treny IV" brought the laments to an end with a fragment of a resounding and eternal wake.

Mr. Baley, who came from Nevada to New York for the premiere and who is the newly appointed principal professor of music at the University of Nevada, joined the artists on stage to take bows after the presentation. Born in Ukraine in 1938, he is also the principal conductor of the Kyiv Camerata, and until 1995 served as founding music director of the Nevada Symphony. He co-produced and composed the music for the film "Swan Lake: The Zone," which won two top awards at the Cannes Film Festival in 1990. He has made several recordings, among them "Dreamtime," "Jurassic Bird" and "Orpheus Singing." His compositions "Dreamtime," performed by the California E.A.R. Unit, and "Concerto No. 1 Quasi Una Fantasia," given its premiere by the New Juilliard Ensemble, received excellent reviews

Ms. Krovytska, who opened the New York City Opera's current season in the title role of "Madama Butterfly," is preparing for a number of engagements in the United States and Canada in coming months. She will sing in "Katya Kabanova" with the Miami and Montreal operas, "Fedora" with the Palm Beach Opera, Helena in Boito's "Mefistofele" with the Opera de Montreal, Dvorak's "Requiem" with the New Jersey Symphony and Brahms' "German Requiem" with the Flagstaff Symphony.

Ms. Khoma, like Ms. Krovytska is a native of Lviv, has been a recitalist and soloist with orchestras around the world since winning top prizes at the Budapest Pablo Casals competitions and the Markneukirchen and Tchaikovsky international competitions and first prize at the 1990 Belgrade International Cello Competition. Making her first public appearance on television at the age of 10, she has been featured on numerous European radio and TV stations and on WNYC-FM in New York and WGBH-FM in Boston. She is married to Mr. Bagratuni, a native of Yerevan, Armenia, a soloist, recitalist and chamber musician who has won acclaim for both his traditional and contemporary repertoire. The two often perform together on recordings and at recitals.

News in Brief


Copyright © The Ukrainian Weekly, December 12, 1999, No. 50, Vol. LXVII


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