September 21, 2018

Social realist art of Nicholas Bervinchak to be exhibited at Ukrainian Institute

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“Toiling Miners” (1939) by Nicholas Bervinchak.

NEW YORK – Art at the Institute is presenting an exhibition of etchings by American artist of Lemko ancestry Nicholas Bervinchak (1903-1978). Executed mostly during the Great Depression and into the following decade, his prints document the miners, tools, working conditions and family life surrounding the isolated anthracite coal mining towns (also known as patches) of northeast Pennsylvania. 

The opening reception, along with a presentation by guest curator, writer and genealogist Mike Buryk, will take place on Friday, September 28, at 6-8 p.m. The exhibit will be on view through October 21.

Bervinchak sought to simply illustrate what he regarded as the truth, documenting his era in a way that other popular artists of the day were not. The selected images in this exhibition are profound in that the artist understood the sense of isolation evoked by the mines. They dramatize the plight of thousands of miners and their families during hard times endured in a normally prosperous country.

In spite of his realism, he was not regarded as social commentator or reformist, as his work did not seek to create tensions between socio-economic classes or political unease. Bervinchak came away from his experience with a desire to create something honest: an art that depicted life with all its misery and unfairness, its familial hope and communal bonds, and an aspect of coal mining life which was human, and far from the sublime — as it truly was.

Bervinchak was born in Shenandoah, Pa., to Lemko immigrants originally from the Subcarpathian village of Rzepedz. While working in the mines himself, he was recognized with a capacity for drawing. He trained in ecclesiastical mural and decorative art with Hungarian-born Paul Daubener, who later helped him discover his métier in the intaglio techniques of drypoint etching and mezzotint. 

A chance local encounter with Ashcan artist George Luks further influenced his art and vision. Bervinchak’s prints are housed in the collections of The Metropolitan Museum of Art, The National Gallery of Art, The Smithsonian Institution and The Ukrainian Museum, among other institutions.

Exhibit hours at the UIA are Tuesday through Sunday, noon to 6 p.m. or by appointment. The Ukrainian Institute of America is located at 2 E. 79th St. in New York; telephone, 212-288-8660; website, ukrainianinstitute.org.